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Free Coral Bax-ter EQ From Acustica

The wonderful guys over at Acustica Audio have just released a great free version of Coral2’s Bax-ter EQ.

Great for adding a subtle shine to vocals, drums, guitars and even full mixes without harshness.

Get a copy here

GOT 5MINS FOR A CHAT? – WONGO

Producer, DJ, label head, radio show host, former international breakdancer, full-time funnyman… Gold Coast-bred party-starter Wongo is no one trick pony.

With a big few years under his belt, by now you’ve probably already cut shapes to Wongo tunes. With a new album not far off, we caught up for a quick chat.

What’s your current studio set up? (take some pics if u want)

Coffee
3 Note Pads
A Tape Measure (to measure the db)
Juiced up $5k IMAC
Logic Pro X
Virus TI-2 (I also use this as my sound-card)
Komplete Kontroller + Komplete Ultimate
Arturia Vintage Collection
Serum
Black Octopus and Splice Samples
UAD Plug ins
Lexicon Reverbs
Waves H Delay X1000
With the above, i can not go wrong

How did you get into production? DJ that turned to production or producer that turned to DJ’in?

I was starting to get into dance music, I didnt DJ or Produce but i was going to nightclubs that played music i hadn’t heard before. My best mate Little Fritter showed me a track he was working on with Chardy back in 2004 maybe, Called the Baboon Swing. Within a week i bought a desktop computer and logic

What’s an average day in the studio like for Wongo?

I split my days in the studio to business or pleasure now. On a business day, I do as much writing and creating for others before I get stuck into my emails for the rest of the day.
If its a pleasure day, I will put my phone in another room, open logic and not leave till I am happy with an idea. Usually, take a few 20-minute breaks throughout the day, but I can be in here for 9 hours some days and not be drained.
If i confuse business and pleasure days i get super anxious and stressed so i do my best to keep them seperate.

Let’s talk about drum processing. What’s your favorite technique to process drums? Which plugins do you use? Do you process your drums together on a buss or work on them individually? 

It’s different every time but generally, I put a lot of energy into my kick drums, I either find a sample or I use Bassizm to create the kick that’s in my head.

I always EQ out a little bottom end, then I push it in the default Logic distortion plugin and then i add more bottom end after that. That way I can get a bit of mid-top crunch while keeping the bottom much cleaner

I process all other drums separately and I try to only Bus the drums when it comes to that final touch of compression or limiting I want to add.

What about Bass…What’s your goto synth for basslines? Favorite processing plugins for bass?

I’m 99.9% on the Virus or Serum. I find I work very fast within plugins, so I am able to create what I’m after quite quickly. Very rarely I will use a sampled bass but I have.

Guitar Rig is a great way to find extra textures and layers on my bass. So I usually bus out my bass, eq all the bottom end out of it and then add Guitar Rig on a low volume.

You can only have one plugin compressor, EQ and reverb – what are they and why? 

Compressor – Logic’s compressor is everything to me. I find I’m able to get what I want out of it much more precisely and quickly than other compressors. Honourable mention: Waves dbx-160 for paralleled drums.
EQ – UAD Pultec Pro – I get to add so much warmth and vibe from this thing. I haven’t put a track out in 6 years without this.
Reverb – Lexicon Hall/Plate – great filler for that really short reverb or to send sounds right to the back of the mix.

Name one feature that stands out in Logic?

In my opinion, Logic’s buses are fucking sick. I sometimes have 4 busses chained for different reasons and it’s just so easy to connect up and keep track of. (Annoying AF for bouncing individual stems tho)

How do you keep things fresh and exciting? What influences your productions today? 

I have this thing where depending on my mood and goal in the studio, I will spend my morning listening to that kind of music. I wrote a Calvin Harris-style track the other day, so I spent the morning listening to him and the choices he made in specific tracks. Helps me keep focus and not turn them into techno records lol

Care to share a studio tip with us? 

Number 1 tip and I’m sure it’s been said before is that you CAN NOT wait for inspiration to hit you in the studio. If you are wondering why you aren’t getting tracks finished its because you aren’t trying hard enough. Fresh air is great but unless you sit yourself in that chair nothing is going to happen. It’s not always gold but you will learn something new every time which in turn creates more chances to write gold.

Where do you go from here?

I find being creative does something to my brain that nothing else does. Not even video games and that’s big for me haha. Being creative is honestly an escape and way I can block out all the things I have to get done. It’s my meditation.


https://www.facebook.com/wongomusic/

https://www.wongo.com.au

DJ Zinc Q&A

Matthew Brady  – Interested to know if Zinc realised 138 trek this was going to appeal to the UK Garage scene and start a new trend in that sound with the Bingo releases?

Zinc – No not at all – when I made it I sent to a few people (Klaus was one of them) and got a pretty good reaction – but then a few months later the pirate dj‘s picked it up and it became popular in the garage scene

Josh Trenerry –  Hey mate, hope you’re well. What’s your view on Independent/Major record labels nowadays? Would you say they are beneficial to up and coming artist or even an established artist?

Zinc – Cheers Josh. reckon for the massive majority its better to just do it yourself, the benefits the majors bring is diminishing as the technology develops. I guess at a certain level they can help with international distribution, and a good a+r person is really useful. But it’s not like the old days when they dictated everything.

William Martins –  I’d love to know more about your track creation process.
What comes first? The bassline? Break?
Also, how do you go about structure and arrangement?

Zinc – Beats (usually really rough, just for a start), then bass, make a bassline I really like, then add elements and work on the beats till I’m happy. Then arrangement depends on what I’ve done up to that point, but being a club DJ for so long usually means my arrangements are pretty standard.

Matthew Brady –  Oh and Alex Mills is one of my favourite vocalists. How did the collab with her on My Energy go down. Did the track come first and the vocals follow? How was the vocal recording process?

Zinc – My manager knew her so he set up the session – I made the track as a demo in advance and then we went to Sony studios to record the vocals, then I took the session away and finished it. 

Jay Kaufman –  Speed garage never did much for me, but for whatever reason, the less wobbly bass house (typically UK producers) is a sound I really dig. American producers of this sound seem to swear by Massive for all of those aggressive wobbly mid-bass sounds. Frankly I can’t stand that sound and find it grating. I’ve enjoyed some of your Bingo releases. What are you using bass-sounds-wise?

Zinc – Absolutely anything – I use maybe 7 synths regularly, incl serum, massive, avenger, trilium, bass master, and so on, but then I’ve got a Moog, Juno, sh1, and a few other hardware synths that I use too, but also I use samples old and new. So basically, anything!

Louis Peake – I would also like to know any tips or tricks he’s willing to share on bass. His basslines in dnb and the crack house stuff were always unique, warm and tight. Anything on bass technique would be great.

Zinc – I don’t know what difference it makes, but I put stuff through hardware – my bass buss usually goes through a loop trotter monster with a parallel distortion mix, then through a retro 2a3, then through a manley summing mixer, smart compressor, massenberg eq. I reckon you can replicate most of that in the box and it would be 95% there. 

Sam Brenchley – Hi zinc thanks for the music, starting out mixing and looking for tips and tricks for mixing low end, I’m really struggling in this area.

Zinc – Thanks! I use eq and sidechain to avoid frequency clashes – using multi band side chain really cleans up my mixes!

Eddie Bazil – Zinc, what’s your master bus saying dude? Be interested to know how you structure your MB chain.

Zinc – Hmmm, before it gets into the box it’s usually out of manley summing amp, into gml eq then smart compressor. Then I record back into bitwig, and send the pre to Klaus. I usually try a pre-master, and occasionally the mhe says ‘ I won’t get it much better, save your money’. But usually they do get it much better, and its something I consider to be money well spent! For my self master it changes, but usually it goes eq, buss compressor, eq for shimmer, stereo management, slight distortion, tape emulation, limiter. 

Sebastian Sebmund SebberyBig ups Zinc!  For having done music for so long what inspires you these days?  What’s your favourite music outside of electronica?

Zinc – Jazz "</p